Van Hoogstraten

RKD STUDIES

Paintings

  1. Triumph of Mordecai
    Canvas, 119.3 x 147.3 cm
    J. Vinkeles (according to Blanc 2008); J.E. Grave; his sale, Amsterdam, 5 May 1806 (Lugt 7085), no. 207 (‘De Verhooging van Mordechay; fraai geordineerd en meesterlyk als van Hoogstraaten, op Doek, hoog 47, breed 58 duim’), fl. 15.10, to Van Iperen.
    Blanc 2008: P4.
  2. Finding of Moses
    Panel, 105 x 125 cm
    L. de Longeville; his sale, Paris, 7 April 1898 (Lugt 56170), no. 7 (‘Moïse sauvé des eaux. La fille de Pharaon est debout sur la droite, richement vêtue et abritée sous un parasol rouge que tient un nègre. Ses suivantes s’empressent autour du jeune Moïse qu’elles retirent du berceau. Haut., 1 m. 5 cent.; larg., 1 m. 25 cent.’), fr. 680.-
    Blanc 2008: P1 (1998 auction catalogue concerns a different painting).
  3. Capture of Samson
    Support and dimensions unknown
    Estate inventory of Maria van Neurenberg, wife of the merchant Dirck de Sondt, Dordrecht (11 July 1663) lists ‘Een schilderije van Hongarijen, een van Samson, beide gedaen door Hoochstraten’.
    Roscam Abbing 1993: V8; Brusati 1995: D26; Blanc 2008: P2.
  4. Bathseba at her bath
    Canvas, 213.4 x 149.9 cm
    Sale The Hague, 14 May 1776 (Lugt 2548), no. 1 (‘Een zeer kapitaal en schoon stuk, verbeeldende Batzeba, zittende by het badt, welke door een oude vrow een brief van den Koning David bekomt; met een fraai en plaisant verschiet zoovan geboomten als prachtige gebouwen, op een van welke den Koning staat; alles zeer uitvoerig en krachtig geschilderdt, door Samuel van Hoogstraaten; op doek, hoog 84, breet 59 duim.’).
    Brusati 1995: D41; Blanc 2008: P3.
  5. Expulsion of Hagar
    Canvas, 101.6 x 91.4 cm
    Schamp d'Aveschoot; his sale, Gent, 14 September 1840 (Lugt 15918), no. 34 (‘Abraham et Agar. Toile; haut., 40 pouces; larg., 36. Le patriarche est debout; Agar et son fils sont agenouillés devant lui. Cette scène, reproduite avec chaleur, est l’instant où Abraham renvoie Agar'), fr. 210.-, to Clouston.
    Blanc 2008: D10 (incorrectly identified as a drawing).
  6. Presentation in the temple
    Support and dimensions unknown
    Estate inventory of Joan Frederik Zeeboth, Amsterdam (11 December 1735) lists ‘binnenkamer: capitaal stuck verbeeldende Simeon met het kindje’.
    Roscam Abbing 1993: V41; Brusati 1995: D42; Blanc 2008: P12.
  7. Parable of the wedding feast
    Support and dimensions unknown
    Estate inventory of Johanna de Jongh, widow of Sebregt Wensch and daughter of dr. Johan de Jongh, Dordrecht (21 June 1721), lists ‘een verbeeldende de konglijke bruijlof en gast sonder bruylofs kleet door Hoogstraten’; bequethed to Abraham Wensch.
    Roscam Abbing 1993: V39; Brusati 1995: D37; Blanc 2008: P14.
  8. St John the Baptist preaching in the desert
    Canvas, 53.3 x 45.7 cm
    J. Vinkeles (according to Blanc 2008); sale Amsterdam, 8 August 1804 (Lugt 6848), no. 90 (‘Johannes predikt in de Woestyn, fiks en breed gepenceelt, door denzelven [S. Van Hoogstraten], op Doek, hoog 21, breed 18 duim’), fl. 1.-, to L. Pakker.
    Blanc 2008: P5.
  9. Martyrdom of St John the Baptist
    Support and dimensions unknown
    Sale London, 28 May 1930, £ 105.- (according to Bénézit 2006, vol. 7, p. 276; painting is not listed in the aforementioned sale catalogue).
    Blanc 2008: P6.
  10. History painting
    Support and dimensions unknown
    Estate inventory of Hendrick Coopmans, Delft (6 March 1688) lists ‘In de kamer met d’Italiaense vloer: 1 historie, van Hoochstraten’.
    Roscam Abbing 1993: V29; Brusati 1995: D27; Blanc 2008: P31.
  11. History scene from Ovid's Metamorphoses
    Support and dimensions unknown
    Estate inventory of Elisabeth Pauli, widow of Alexander de Hoogh, Dordrecht (9 October 1709) lists ‘'t Stuk uit Ovidius van Hoogstraten’.
    Roscam Abbing 1993: V35; Brusati 1995: D33; Blanc 2008: P24.
  12. Perseus and Andromeda
    Support and dimensions unknown
    Estate inventory of Maria van Neurenberg, wife of the merchant Dirck de Sondt, Dordrecht (11 July 1663) lists ‘In de beste camer: een van Perseus gedaen door Hoochstraten’.
    Roscam Abbing 1993: V8; Brusati 1995: D24; Blanc 2008: P23.
  13. Bride of Scipio
    Canvas, 58.4 x 76.2 cm
    Estate inventory of Aletta van de Rad (7 April 1700) lists no. 42 as ‘Een stuck schilderij, Schipio door Hoogstraten’; G. Lichtervelde; his sale, London, 29 May 1801 (6276), no. 39 (‘Van Hoogstraten. The Continence of Scipio’), £ 4.4, to Powes; sale Amsterdam, 8 August 1804 (Lugt 6848), no. 89 (‘Een ryke Historiëele Ordinantie, zynde het Bruidje van Scipio; dit Schildery is zoo fraai, als men van deezen Meester zien kan, door S. van Hoogstraten, op Doek, hoog 23, br. 30 duim’), fl. 46.-, to Gruiter; sale Amsterdam, 10 May 1830 (Lugt 12360), no. 52 (‘Het Bruidje van Schipio, rijk van Ordonnantie en meesterlijk gepenceeld'), fl. 19.-, to Rokker.
    Roscam Abbing 1993: V35; Brusati 1995: D32; Blanc 2008: P27.
  14. Sibilla Pythia
    Support and dimensions unknown
    Estate inventory of Johanna de Jongh, widow of Sebregt Wensch and daughter of dr. Johan de Jongh, Dordrecht (21 June 1721), lists ‘Een Sibilla Pithia door Hoogstraten’; bequethed to Abraham Wensch.
    Roscam Abbing 1993: V39; Brusati 1995: D36; Blanc 2008: P26.
  15. Diana, goddess of the hunt
    Support unknown, 38 x 54.5 cm
    Estate inventory of Johanna de Jongh, widow of Sebregt Wensch and daughter of dr. Johan de Jongh, Dordrecht (21 June 1721), lists ‘Een jagt door Hoogstraten’.
    Possibly W. Coole; his sale, Rotterdam, 6 August 1782 (Lugt 3456), no. 137 (‘Een slaapende Diana, door S. v. Hoogstraaten, hoog 15 d., breed 21 ½ d., Dk’), to F.J. Bosboom (according to Blanc 2008).
    The provenance listed in Blanc 2008, p. 378, includes the sale of D. Macalester Loup (Lugt 7146), but the measurements do not match, and the catalogue description corresponds to a different painting by Van Hoogstraten.
    Roscam Abbing 1993: V39; Brusati 1995: D51; Blanc 2008: P100.
  16. Allegory of Painting in agony, comforted by Hope
    Panel, 40.6 x 34.3 cm
    L. Boumans et al.; their sale, Leiden, 24 August 1802 (Lugt 6844), no. 30 (‘De kwijnende Schilderkonst, door de hoop opgebeurd, verbeeld door een Vrouw, liggende bij eene Graftombe en weenende Kinderen, met een Latijnsch Vaers op de Tombe. Door Hoogstraten, op paneel, hoog 16, breed 13½ duimen'), fl. 6,15
    Blanc 2008: P30.
  17. Three youths in the fiery oven and their rescue
    Panel, dimensions unknown
    Smolensk, Smolensk State Museum-Preserve.
    According to Brusati 1995, the painting is attributed to Samuel van Hoogstraten and illustrates the scene from Daniel 3:13–94, a passage that is rarely depicted.
    Brusati 1995: A9.
  18. Portrait of a scholar with documents
    Copper, oval shape, 26 x 20 cm, dated 1653
    J.J. Merlo; his sale, Cologne, 9 December 1891 (Lugt 50318), no. 81 (‘Bildniss eines Gelehrten. Kniefigur, fast ganz von vorne geschen, vor einem schwarzen Vorhange sitzend, der rechts einen Blick auf ein mit Documenten gefülltes Fach lässt; er trägt ein schwarzes Gewand, über dem ein breiter, viereckiger Kragen eng anliegt; in der Linken hält er eine Urkunde. Vorzilglich ausgeführtes Bild. Oben rechts beseichnet: Ovelgun Aetatis 67, Anno 1653. Kupfer. Oval. Höhe 26, Breite 20 Cent.’), M 380.-, to Hoffarth (according to the RKD's IB documentation, no. 29079).
  19. Portrait of a bearded scholar
    Panel, 24.1 x 20.3 cm
    T. Holmbo; S. Dedekam Juell; L. Colwell and A.G. Langenberger; sale New York (Sotheby Parke Bernet), 28 November 1951, no. 13 (‘Portrait of a scholar. Bust-length portrait of a bearded man in brown doublet, wearing a black soft-crowned hat, seated leaning both arms on a table and resting his cheek against the left hand. Before him are open volumes. (Norwegian Private Collector) Panel: 9½ x 8 inches. Collection of the Consul-General Holmbo, Troms, Norway. Collection of S. Dedekam Juell’).
    Blanc 2008: P114.
  20. Geographer in his study
    Canvas, 80 x 63 cm
    E. Riel de Beurnonville; his sale, Paris, 9 May 1881 (Lugt 41077), no. 339 (‘Le Géographe dans son cabinet. Vêtu d’une longue houppelande de soie rouge et coiffé d’un bonnet pareil, un savent est assis dans son cabinet, un compas à la main, devant un table à pieds de sphinx. Sur cette table, un atlas, des livres, une sphère. A gauche, un manteau jeté sur une chaise. Au fond, les rayons d’une bibliothèque. Toile. Haut., 80 cent; larg., 63 cent.’), fr. 500.-, to Feial.
    Blanc 2008: P115.
  21. Astronomer
    Panel, 31.8 x 24.8 cm
    Duke d’Orleans, 1798; Chevalier Evard, 1832; M. Koucheleff-Besborodko, 1869; Mme. Delacour, Paris, 1905; sale London (Sotheby's), 8 June 1966, no. 82 (‘An interior with an astrologer at a globe with books on a table, before a blue embroidered curtain. On panel. 12½ in. by 9¾ in. From the Collection of the Duke d’Orleans, 1798. From the Collection of Chevalier Evard, 1832. From the Collection of M. Koucheleff-Besborodko, 1869. From the Collection of Mme. Delacour, Paris, 1905’), £480.-, to Flavell.
    Blanc 2008: P116.
  22. Portrait of a 29-year-old calligrapher
    Support and dimensions unknown
    Salomon Savery created an engraving after this painting by Samuel van Hoogstraten, as stated on the print (Hollstein Dutch & Flemish 1949-2010, vol. 24, p. 50, no. 116).
    The inscription ‘S. v. Hoogstraten fecit’ can indicate that the print was not made by Samuel van Hoogstraten, but after a painting or drawing by him. Though the sitter is sometimes identified as Theodore Blévet, this is unlikely, as Blévet was 29 in the year Samuel van Hoogstraten was born (Stephanie Dickey and Michiel Roscam Abbing, in correspondence with the RKD, 6 August 2024).
    Blanc 2008: P66.
  23. Hungarian figures
    Support and dimensions unknown
    Estate inventory of Maria van Neurenberg, wife of the merchant Dirck de Sondt, Dordrecht (11 July 1663) lists ‘Een schilderije van Hongarijen, een van Samson, beide gedaen door Hoochstraten’.
    Roscam Abbing 1993: V8; Brusati 1995: D25; Blanc 2008: P150.
  24. Figure painting
    Support and dimensions unknown
    Estate inventory of Josyna van der Nath, widow of Huijbert Schalk and formerly married to Jacob van Wyngaertstraten, Dordrecht (13 December 1671) lists ‘2:0:0 een schilderie synde postuerties van Hooghstraten’.
    Roscam Abbing 1993: V15; Brusati 1995: D30; Blanc 2008: P111.
  25. Peasant lacing his shoes
    Panel, 58.4 x 27.9 cm
    Sale London, 14 May 1804, no. 790 (according to Blanc 2008).
    Blanc 2008: P120.
  26. Beggar
    Canvas, 33 x 26 cm
    Samuel Woodburn; sale London (Christie's), 23 May 1812, no. 6, to Woodin Junior (according to Blanc 2008); J. Porges; his sale, Paris (Georges Petit), 17 June 1924, no. 69 (‘Le Mendiant. Drapé dans un manteau brun, il se tient sous un péristyle et présente son feutre aux aumônes. Toile. Haut., 33 cent.; larg., 26 cent.'), £800.- or £950.- (annotation Hofstede de Groot in RKD-catalogue: ‘onzin niet eens Hollandsch’).
    Blanc 2008: P117.
  27. Fisherman
    Support and dimensions unknown
    Estate inventory of Maria Eppenhoff, widow of Jacques Terwen, Dordrecht (16 May 1677) lists ‘Een visscher gedaen door S:V: Hooghstraten’.
    Roscam Abbing 1993: V26; Brusati 1995: D45; Blanc 2008: P124.
  28. Three peasants preparing fish in a kitchen
    Canvas, 125.5 x 41 cm
    Sale New York (Sotheby Parke Bernet), 17 June 1976, no. 130 (‘Attributed to Samuel van Hoogstraten. Three peasants in an interior. In a kitchen two woman and a young man prepare fish, on shelves behind them various cooking utensils and vegetables. 49½ x 16 inches. 125,5 x 41 cm.').
    Blanc 2008: P123.
  29. Sportsmen and other figures in an interior
    Support unknown, 81 x 119 cm
    S. Hand; his sale, London (Christie, Manson & Woods), 5 December 1952, no. 107 (‘Sportsmen and other figures in an interior. 32 in. by 47 in.’).
    Blanc 2008: P129.
  30. Interior scene
    Canvas, 81 x 74 cm
    Sale Lisbon (Sotheby's), 7 May 2001, no. 49 (according to Blanc 2008).
    Blanc 2008: P147.
  31. Joyful company dancing
    Support and dimensions unknown
    P. Delcour (according to Blanc 2008); sale London, 13 April 1820, no. 7 (according to Blanc 2008).
    Blanc 2008: P125.
  32. Concert
    Support unknown, 70 x 81 cm
    Marquis de Salamanca; sold in Paris, 1867 (according to Valdivieso 1973, p. 290).
    Blanc 2008: P126.
  33. Rommelpot
    Support and dimensions unknown
    Estate inventory of Jan Jansz van Rhijn, deceased 19 April 1668, Leiden, lists ‘In de gang: N. 37 Een rommel pot van Hoochstraten’.
    Roscam Abbing 1993: V10; Brusati 1995: D43; Blanc 2008: P127.
  34. Young lady with a letter in hand and a sewing cushion on her lap
    Support and dimensions unknown
    Jan Viering; his sale, Amsterdam, 12 April 1798, no. 30 (according to the RKD's IB documentation, no. 1243233).
  35. Woman holding her baby on her lap
    Canvas, 33 x 38.1 cm
    J. Vinkeles (according to Blanc 2008); sale Amsterdam, 10 July 1805 (Lugt 6987), no. 78 (‘In een Kraamkamer ziet men een Vrouw, houdende een jong Gebaakert Kindje op de Schoot, waarby een Wieg, Tafel, Dienstmaagd, enz; uitvoerig op Doek, door S. van Hoogstraaten, in de manier van P. de Hooge, hoog 13, breed 16 duim’), fl. 13.-, to Vinkeles; sale Amsterdam, 13 June 1809 (Lugt 7606), no. 62 (‘In een Kraamkamer zit eene Vrouwtje, met een Kind aan de Borst, ter zijde eene Dienstmaagd, bij de Haardsteede, verder ziet men een Wieg, Vuurmans, enz.; delicaat gepenceeld, door S. van Hoogstraaten, op Doek, hoog 13, breed 15 duim’), to F. Dupré (according to Blanc 2008).
    Blanc 2008: P142.
  36. A Lady with her Child in a Cradle
    Support and dimensions unknown
    J. van Spangen; his sale, London, 10 February 1748 (Lugt 681), no. 36 (‘Van Hoogstraaten. A Lady with her Child in a Cradle’), £19.13.
    Mentioned in the RKD's IB documentation, no. 1243234.
  37. Man visiting a woman and her maid
    Canvas, 68 x 62 cm
    Sale Hamburg, 25 April 1797 (Lugt 5580), no. 181 (according to Blanc 2008).
    Blanc 2008: P145.
  38. Young man reading
    Canvas, 99,5 x 78 cm, traces of a signature, lower left
    According to Brusati 1995, the painting is rectangular in format, except for a semicircular section at the center of the upper edge.
    M.M. van Valkenburg (Laren); L.A.S.J. Baron van der Feltz (Brummen), 1979 (according to Brusati 1995).
    Brusati 1995: A-2; Blanc 2008: P148.
  39. Perspective view of a courtyard with a young man reading
    Panel, 18 x 24.5 cm
    Lord Thomson of Fleet (as Van Steenwijck); Brian Koetser (Zurich); private collection, Germany; Otto Naumann, New York (according to Brusati 1995).
    According to Brusati 1995, the painting was formerly attributed to Hendrick van Steenwijck, but is more likely a modello for another painting in Dyrham Park. Walter Liedtke, however, considers the panel to be a copy after, rather than a preparatory modello for, the painting in Dyrham Park (W. Liedte, ‘Pepys and the pictorial arts. great plenty of good pictures’, Apollo 350 (1994), pp. 227-237).
    Brusati 1995: 91; Blanc 2008: P163.
  40. Promenade in the park
    Canvas, 78 x 110 cm
    Antoine Heller; his sale, Paris, 26 June 1900 (Lugt 58353), no. 5 (‘La Promenade dans le parc. D'élégants personnages se promènent dans un parc, dessiné à la française, et offrant sur la droite une longue allée ombrée par des charmilles. Deux bassins de forme ronde sont ornés de jets d’eau. A droite, des oranges en pots, des ifs, une porte enguirlandée de feuillages décorent un parterre. Bonne peinture d’une coloration chaude et lumineuse. Toile. Haut., 78 cent.; larg., 1 m.10 cent.'), fr. 1090.-, to Heller.
    Blanc 2008: P153/2.
  41. View of a garden terrace with statues
    Canvas, 190.7 x 101.6 cm, signed and dated 1665
    Private collection, London (according to Brusati 1995).
    Brusati 1995: 97; Blanc 2008: P154.
  42. Two gardens with buildings, figures, birds, and fruit
    Canvas, 53.3 x 45.7 cm
    H. Bredeman; his sale, Amsterdam, 1 July 1788 (Lugt 4334), no. 190 (‘Twee stuks Thuingezigten, gestoffeert met Gebouwen, Beeldjes, Gevogelten en Vrugten; aangenaam en bevallig gepenceelt, door S van Hoogstraten, op Doek, hoog 21, breed 18 duim’), f 5.10, to Druyvens.
    Blanc 2008: P157.
  43. Landscape with mountains
    Support and dimensions unknown
    Estate inventory of Johanna Koets, widow of Arent Pijl Sr., first clerk of the States General, The Hague (1694) lists ‘Een gebergte door Hoogstraten’.
    Roscam Abbing 1993: V33; Brusati 1995: D52; Blanc 2008: P168.
  44. Great fire of London in 1666
    Panel, 45.7 x 58.4 cm
    Sale The Hague, 25 May 1772 (Lugt 2038), no. 53 (‘De groote Brand der Stad Londen, in den jaare 1666. Door S.V. Hoogstraaten; op paneel, hoog 18, breet 23 duim.’).
    Roscam Abbing 1993: 78; Brusati 1995: D38; Blanc 2008: P169/1.
  45. Dutch siege of Fort Sheerness, 20 June 1667
    Support unknown, 45.7 x 58.4 cm
    Sale The Hague, 25 May 1772 (Lugt 2038), no. 54 (‘Een dito [De groote Brand der Stad Londen], zynde het veroveren van 't Fort Charness aan de Revier Chattam door de Hollanders, op den 20 Juni 1667. Door den zelven [S.V. Hoogstraaten]; en hoog en breet als ‘t vorige [hoog 18, breet 23 duim]’).
    Roscam Abbing 1993: 78; Brusati 1995: D39; Blanc 2008: P169/2.
  46. Battle of Medway, 22 June 1667
    Support unknown, 45.7 x 58.4 cm
    Sale The Hague, 25 May 1772 (Lugt 2038), no. 55 (‘Een dito [De groote Brand der Stad Londen], vertonende het Verbrande der Scheepen in de Revier Chattam op den 22 Juni 1667. Door den zelven [S.V. Hoogstraaten]; en hoog en breet als voren [hoog 18, breet 23 duim]’).
    Roscam Abbing 1993: 78; Brusati 1995: D40; Blanc 2008: P169/3.
  47. Swans
    Support and dimensions unknown
    Estate inventory of Hendrick Coopmans, Delft (6 March 1688) lists ‘In het voorhuijs: 1 stuck met swanen, S.V.H.’ (noted by Abraham Bredius).
    Roscam Abbing 1993: V29; Blanc 2008: P187.
  48. Trompe-l'œil still life
    Canvas, 92 x 73 cm
    Sale Hamburg (P.H. Packischefsky), 9 September 1794, no. 45 (according to Blanc 2008).
    Blanc 2008: P184.
  49. Trompe-l'œil with a watch
    Canvas, 35 x 48 cm
    Stiftung Weimarer Klassik und Kunstsammlungen, inv. G 923. Sold in Weimar in 1939 (according to Blanc 2008).
    Blanc 2008: P174.
  50. Trompe l'oeil with a tidy (comb-case)
    Support and dimensions unknown
    C. Dusart; his sale, Haarlem, 21 January 1708 (Lugt 217), no. 302 (‘Een Geschilderde Kamme-tas, van Hoogstraaten’).
    Brusati 1995: D53; Blanc 2008: P183.
  51. Two tronies
    Support and dimensions unknown
    Inventory of the home of Catharina Bolnes, widow of Jan Vermeer, Delft (29 February 1676), lists ‘Twee trony schildereyen gedaen by Hoogstraten’.
    Roscam Abbing 1993: V23; Brusati 1995: D22; Blanc 2008: P108.
  52. Tronie of a shepherdess
    Support and dimensions unknown
    Inventory of goods, delivered by Abraham de Cooge of Delft on behalf of the heirs of Arent Jans Pijnacker and Maritie Steffens (28 March 1680) lists ‘Een tronij sijnde een harderin van Hoochstraten voor 50:0’. Listed in the estate inventory of Hendrick Coopmans, Delft (6 March 1688) as ‘op de voorkamer: 1 schilderie, een kind op syn harder door S:V:Hoogstraten’.
    Roscam Abbing 1993: V29; Brusati 1995: D23; Blanc 2008: P110.
  53. Tronie
    Support and dimensions unknown
    Abraham van Beijeren; sale of paintings by St. Lucas Guild members in The Hague (8 April 1647) lists no. 32 as ‘Nr. 32: Een trony van Hoochstraeten (...) f 14-5-0 verkocht aan Anthony Croost’ (cited in Bredius 1915-1921, pp. 502, 516).
    Roscam Abbing 1993: V1; Brusati 1995: D21; Blanc 2008: P109.
  54. Portrait of lawyer and his wife
    Canvas, 79.5 x 52 cm
    Sale London (Christie's), 7 December 1995, no. 226a (‘Manner of Samuel van Hoogstraaten. A double Portrait of a Lawyer and his Wife, small full length, in fur trimmed Robes, a Horse seen through a Casement beyond. Oil on canvas. 31¼ x 20½ in (79.5 x 52 cm) £800-£1,200'); sale Brussels (Horta, Hôtel de Ventes - Auctioneers), 15 January 1996, no. 87 (‘Huile sur toile: Portrait d’avocat avec son épouse dans un intérieur. Attribuée à Samuel van Hooghstraaten, école hollandaise 17e. Dim.: 78 x 50 cm.’).
    Blanc 2008: P107.
  55. Portrait of a young girl in lace and brown
    Canvas, 37 x 30 cm
    Sale M.G. collection, Brussels (H. Nicaise), 8 May 1929, no. 63 (‘Portrait d’une fillette. Vue à mi-corps, de face, coiffée d’un bonnet de dentelle et vêtue d’une robe brune garnie de dentelle blanche. Toile. Haut. 0.37; Larg. 0.30’).
    Mentioned in the RKD's IB documentation, no. 35645.
  56. Portrait of a woman
    Support and dimensions unknown
    A.D. Vendu; his sale, Paris (Hôtel Drouot), 15 May 1931 (according to Blanc 2008).
    Blanc 2008: P103.
  57. Portrait of a woman
    Canvas. 96 x 82 cm, signed and dated at the right on the balcony: S. V. Hogstraten 1669
    J. Porges; sale Paris (Edmond Champetier de Ribes), 29 April 1942, no. 45 (‘Portrait de femme. Signé et daté à droite sur le balcon: S. V. Hogstraten 1669, avec l’inscription Aet 58. Toile. Collection Porges. Haut., 0 m 96; Larg., 0 m 82’), fr. 18500.
    Blanc 2008: P104.
  58. Portrait of a man
    Support and dimensions unknown
    Possibly a male portrait already listed in the catalogue raisonné.
    Blanc 2008 refers to Thieme and Becker 1907-1950, vol. XVII, p. 465, but the portrait in question cannot be identified.
    Blanc 2008: P97.
  59. Portrait of a man
    Support and dimensions unknown
    Edward Solly (according to Blanc 2008); sale London, 26 May 1820 (Lugt 9803), no. 36 (‘A Man's Portrait’), to Solomon Meyer (according to Blanc 2008).
    Blanc 2008: P98.
  60. Portrait of a man dressed in black
    Support and dimensions unknown
    Sale London, 10 April 1930 (according to Blanc 2008).
    Blanc 2008: P96.
  61. Portrait of a man with a letter and a glove
    Canvas, 110 x 85 cm
    Sale Dresselhuys-Niemann collection, Den Haag (Marle & Van Bignell), 25 January 1944, no. 107 (‘Heerenportret. Hij houdt in zijn linkerhand een brief, in de rechter een handschoen. Inscriptie Aetatis 38. Doek, hoogte 110 c.M., breedte 85 c.M.’), fl. 750.- (fl. 800.- including buyer's premium).
    Annotation in RKD-sale catalogue: ‘±1760 blootshoofds, aanziend, naar rechts, r.hand i.d. zij. Heupstuk. Afb. Of P. Neert. L.boven [referring to ‘Aetatis 38']’.
    Mentioned in the RKD's IB documentation, no. 47577.
  62. Portrait of an old man
    Canvas, 69 x 58 cm
    Schlesisches Museum der bildenden Künste zu Breslau. Illustrirter Katalog, Breslau [n.a.], no. 262 (‘Bildniss eines älteren Mannes. In drei Viertel Profil nach rechts gewendet, doch den Beschauer anblickend, mit kurzem graumelirtem Vollbart und unbedecktem Haupte; über das schwarzgemusterte Wamms fällt ein breiter gerippter Kragen. Auf der Brust eine goldene Kette mit Medaillon, welches er mit der Rechten fasst; die Linke ruht ebenfalls, wie hinweisend, auf der Kette. Dunkelgrauer Grund. Vielleicht das Selbstporträt Hoogstraten’s den Kaiser Ferdinand III bei Gelegenheit seiner Anwesenheit in Wien mit Kette und Medaillon beschenkte? Brustbild, wenig unter Lebensgrösse. Leinwand, h. 0,69. br. 0,58 – Schl. Ges. f.v.K. (Gesch. d. Geh. Medizinalraths Dr. Ebers.)’).
    Mentioned in the RKD's IB documentation, no. 34296.
  63. Portrait
    Support and dimensions unknown
    J. Todhunter (according to Blanc 2008); his sale, London, 14 January 1817 (Lugt 9025), no. 36 (‘Hoogestraten. Portrait of. The countenance and Hands of the Figure are Lifeitself, the other Objects are painted to Deception, and shew the Talent of this great Master’), £ 4-4.
    Blanc 2008: P105.
  64. Two portraits
    Canvas, dimensions unknown
    D. Macalester Loup a.o.; their sale, The Hague, 20 August 1806 (Lugt 7146), no. 134 (‘Twee dito [Stuks Mans en Vrouwe Portraiten], door S. van Hoogstraaten, op doek'), fl. 1.8, to Scheltema.
    Blanc 2008: P106.
  65. Portrait of a man wearing a turban
    Canvas 90 x 72 cm
    Lambrech; his sale, Paris, 3 September 1810 (Lugt 7857), no. 34 (according to Blanc 2008); sale Amsterdam (Paul Brandt), 26 May 1970, no. 25 (‘Portrait of an Oriental prince (à trois-quarts), dressed in a gold-coloured garment over which he wears a red velvet cloak trimmed with ermine and embroidered with gold thread. He has a shortround beard and a moustache; on his head is a turban decorated with precious stones. Canvas, 90 x 72 cm'), fl. 8200.-
    Blanc 2008: P33.
  66. (Self-)portrait with turban
    Support and dimensions unknown
    Estate inventory of Johan Cornelisz Vijgenboom, husband of Maria Jacobdr. Metschert, Dordrecht (12 January – 2 February 1666) lists ‘Den conterfeytsel van Hoochstraten met eenen tulbant om thooft’ (unclear if it is a self-portrait, a portrait of Jan van Hoogstraten, or a self-portrait by him).
    Roscam Abbing 1993: V9; Brusati 1995: D7; Blanc 2008: P46.
  67. Portrait of a young man, possibly a self-portrait
    Support and dimensions unknown, dated 1644
    Gallery Van Diemen & Co. (1924).
    Catalogus der keuze-tentoonstelling van werken door Dordtsche meesters uit de 17e, 18e en eerste helft der 19e eeuw, exh. cat. Dordrecht (Pictura) 1924, no. 28 (‘Portret van een jongeling (1644); vermoedelijk zelfportret. Eigend. Galerie v. Diemen & Co., ’s-Gravenhage’).
  68. Self-portrait
    Support and dimensions unknown
    Estate inventory of Maria van Rommerswael, widow of Godschalck van der Hulst, Dordrecht (2 April 1674), lists ‘Samuel van Hoogstraten syn eygen contrafeytsel veels grooters als 't leven’; inventory of goods left in safekeeping by the painter Pieter van der Hulst with François van Quackelsteyn, Amsterdam (30 September 1674), lists ‘No 4: Een van Samuel van Hoogstraeten’.
    Roscam Abbing 1993: V18; Brusati 1995: D1; Blanc 2008: P51.
  69. Double portrait of Samuel van Hoogstraten and Sara van Balen
    Support and dimensions unknown
    Sale Guérin et al., The Hague, 13 September 1740 (Lugt 525), no. 94 (‘Twee fraaije Pourtraitjes, zynde S. van Hoogstraten en zyn vrouw, door hem zelfs geschildert’); genealogical notes by François van Hoogstraten, dated 1756, state ‘Zijn afbeelding, als ook die van zijn huisvrouw Sara Balen, door hem zelf gedaen, in een stuk’
    According to Brusati 1995, the painting was presumably kept in the artist’s personal collection and was later owned by his great-nephew, Samuel van Hoogstraten (1692–1759).
    Mentioned in the RKD's IB documentation, no. 15129(1) and no. 15129(2). According to the RKD’s IB documentation, the portraits of Samuel van Hoogstraten and Sara van Balen form a double portrait, rather than two separate works and a double portrait, as described by Brusati 1995 and Blanc 2008.
    Roscam Abbing 1993: V43; Brusati 1995: D2 & D3 & D4; Blanc 2008: P50 & P52 & P70.
  70. Portrait of Matthijs van Balen
    Support and dimensions unknown, grisaille, dated 1677
    Will of Matthijs Balen states ‘Alsnoch verclaerde hij testateur gemaeckt ende geprelegateert te hebben sulcx hij doet by desen aenden voorss Johan Balen sijns testateurs soon het contrefeitsel van hem testateur van omber en wit geschildert door S.V.. in t jaer 1677’.
    Based on this portrait, Romeyn de Hooghe made an engraving (Hollstein Dutch & Flemish 1949-2010, vol. 9, p. 143, no. 5). A sketch for De Hooghe’s engraving, from the collection of Mr. P.W.A. Cort van der Linden, was exhibited in 1924 (Pictura Dordrecht 1924, no. 30).
    Mentioned in the RKD's IB documentation, no. 332.
    Roscam Abbing 1993; Brusati 1995: 41; Blanc 2008: P61.
  71. Portrait of Alida van Beveren
    Support and dimensions unknown
    According to Roscam Abbing 1993, p. 96, the existence of a portrait of Alida van Beveren, painted by Samuel van Hoogstraten, is uncertain: ‘Een door SvH geschilderd portret van Alida van Beveren, met wie Cornelis Pompe van Meerdervoort in 1662 gehuwd was, is niet aanwijsbaar’.
    Mentioned in the RKD's IB documentation, no. 9760.
    Roscam Abbing 1993: V42; Blanc 2008: P85/2.
  72. Portrait of Cornelis van Beveren
    Support and dimensions unknown
    Godfried Schalcken created an etching after this painting by Samuel van Hoogstraten, as stated on the print (Hollstein Dutch & Flemish 1949-2010, vol. 24, p. 153, no. 2).
    Blanc 2008: P53.
  73. Portrait of Christina Elisabeth de Bevere
    Support and dimensions unknown, c. 1676-77
    Veth 1889, p. 140 states that the estate inventory of Johan Diederik Pompe van Meerdervoort, Dordrecht (1749) lists the portrait of Christina Elisabeth de Bevere, wife of Cornelis Pompe van Meerdervoort: ‘De vervaardiging der portretten van Cornelis Pompe van Meerdervoort en zijne echtgenote [..] welke in den inventaris der nalatenschap van Johan Diederik Pompe van Meerdervoort vermeld worden, werden waarschijnlijk in deze tijd [c. 1675] vervaardigd.’ The original document is lost
    Mentioned in the RKD's IB documentation, no. 106213.
    Roscam Abbing 1993: V42; Blanc 2008: P85/3.
  74. Portrait of Egbert van Braeckel
    Support and dimensions unknown
    Estate inventory of Abigael van Braeckel, widow of Hendrick van Wege and Ghijsbrecht van Hogenhouck, Delft (1675). The original document is lost but cited in Veth 1889, p. 147: ‘'t Conterfeitsel van Egbert van Braekel’.
    Roscam Abbing 1993: V20; Brusati 1995: D17; Blanc 2008: P86/5.
  75. Jacob Cats and his wife at Zorgvliet
    Canvas, 69 x 95 cm
    J.I. de Neufville Brandts; his sale, Amsterdam, 23 March 1829 (Lugt 11974), no. 21 (‘De beroemde Jacob Cats, benevens zijne Echtgenoote, voorgesteld op de hofstede Zorgvliet, waarvan het huis zich achterwaarts opdoet; dit belangrijke stuk is uitnemend van toon en behandeling. Hoog 1 el, breed 1 el 3 p. 2d. Doek’), fl. 60.- to De Vries; sale Amsterdam, 24 April 1838 (Lugt 15035), no. 19 (‘Dit kapitaal stuk verbeeldt de buitenplaats Zorgvliet, buiten 's Gravenhage, waar de familie van Jacob Cats zich op den voorgrond bevindt, en waarin hij eene tulp aan eene dame aanbiedt; krachtig en waardig den leerling van Rembrandt geschilderd. Hoog 1 el, breed 1 el 3 p. 1 d. Doek'), fl. 109.-, to Enthoven.
    Roscam Abbing 1993and Brusati 1995suggest that the aforementioned catalogue entries might refer to a painting now in the collection of the Dordrechts Museum. However, the dimensions do not match, and the painting in Dordrecht does not depict Jacob Cats or Zorgvliet.
    Roscam Abbing 1993: 6; Brusati 1995: D11; Blanc 2008: P72.
  76. Portrait of N.N. Deijlman
    Support and dimensions unknown, dated 1658
    Landscape format (according to the RKD's IB documentation, no. 82806).
  77. Jan Michielsz. Deijlman and his Mennonite family
    Support and dimensions unknown, dated 1658
    Painted for Deijlman and bequeathed to his wife, Elisabeth Johans de Guldehoef van Laekervelt, who's last will and testament (21 February 1672) states: ‘De schilderije ende contrefeijtsel van mijn waerde man sal. ende familie door S. van Hoochstraten in de jare 1658 gemaekt …’
    Roscam Abbing 1993: V16; Brusati 1995: D10; Blanc 2008: P74.
  78. Portrait of Ghijsbrecht van Hogenhouck and Abigael van Braeckel
    Support and dimensons unknown
    Estate inventory of Abigael van Braeckel, widow of the late Hendrick van Wege and the late Ghijsbrecht van Hogenhouck, Delft (1675) lists ‘Het conterf[eitsel] van Mr. Ghijsbrecht van Hogenhouck ende Abigael van Braekel’. The original document is lost but cited in Veth 1889, p. 147.
    Roscam Abbing 1993: V20; Brusati 1995: D13; Blanc 2008: P86/1.
  79. Portrait of Ernst van Hogenhouck
    Support and dimensions unknown
    Estate inventory of Abigael van Braeckel, widow of the late Hendrick van Wege and the late Ghijsbrecht van Hogenhouck, Delft (1675) lists ‘De conterfeitsels van Ernst en Jacobus van Hogenhouck’. The original document is lost but cited in Veth 1889, p. 147.
    Roscam Abbing 1993: V20; Brusati 1995: D15; Blanc 2008: P86/3.
  80. Portrait of Jacobus van Hogenhouck
    Support and dimensions unknown
    Estate inventory of Abigael van Braeckel, widow of the late Hendrick van Wege and the late Ghijsbrecht van Hogenhouck, Delft (1675) lists ‘De conterfeitsels van Ernst en Jacobus van Hogenhouck’. The original document is lost but cited in Veth 1889, p. 147.
    Roscam Abbing 1993: V20; Brusati 1995: D16; Blanc 2008: P86/4.
  81. Portrait of François van Hoogstraten
    Support and dimensions unknown
    According to Roscam Abbing 1993, an undated letter or copy of a letter (ca. 1724–1736) from François van Hoogstraten (1689–1760) to his brother Samuel (1692–1759) mentions ‘Zijn portrait, van Samuel geschilderd en ook dat van zijn vrouw [Hester de Koning], berusten onder mij, zijnde eerstelingen van Samuels schilderkonst, niet fraij’
    Mentioned in the RKD's IB documentation, no. 77225.
    Wolleswinkel 1980, p. 89; Roscam Abbing 1993: V40; Brusati 1995: D5; Blanc 2008: P87/1.
  82. Portrait of Hester de Koning
    Support and dimensions unknown
    According to Roscam Abbing 1993, an undated letter or copy of a letter (ca. 1724–1736) from François van Hoogstraten (1689–1760) to his brother Samuel (1692–1759) mentions ‘Zijn portrait, van Samuel geschilderd en ook dat van zijn vrouw [Hester de Koning], berusten onder mij, zijnde eerstelingen van Samuels schilderkonst, niet fraij’
    Mentioned in the RKD's IB documentation, no. 77226.
    Wolleswinkel 1980, p. 89; Roscam Abbing 1993: V40; Brusati 1995: D6; Blanc 2008: P87/2.
  83. Portrait of Abraham Moyweer
    Support and dimensions unknown
    Painting mentioned in an archival document, dated 12 June 1676: ‘Syn testateurs pourtret [of Abraham Moyweer], ten huyse van zyn swager Nicolaes de Both sal werden gecopieert door den heere Samuel van Hooghstraten mr. fijnschilder alhier tot kosten van syn testateurs boedel en dieselve copije moesten worden vereert aan juffr. Johanna Cools (indine zij se bewaren wil).’ See Roscam Abbing 1993, pp. 76, 92.
    Roscam Abbing 1993: V24; Blanc 2008: P60.
  84. Portrait of Princess Juliana Catharina van Nassau Portugal
    Support and dimensions unknown
    Painting mentioned in a letter from Princess Juliana Catharina van Nassau Portugal to her sister Eleonora Maurice, Bergen op Zoom (21 February 1671) states ‘Le peintre Hoochstraten qui a peint tous nos portraiets s’en retourne en Engleterre pou y demeurer ...’ (Roscam Abbing 1993, pp 68-69).
    Mentioned in the RKD's IB documentation, no. 91738.
    Roscam Abbing 1993: V13; Brusati 1995: D11; Blanc 2008: P82/1.
  85. Portrait of Margrieta de Rouw
    Support and dimensions unknown
    Estate inventory of Margarieta de Rouw, widow of Johan Palm, Dordrecht (1 June 1671), lists ‘Int voorhuys: een groote schilderije waerinne de overledene sittende geschildert is van Hoochstraten [in the margins:] gecost bij Sr. Stephanus de Rouw om 34 gl.’
    Mentioned in the RKD's IB documentation, no. 96796.
    Roscam Abbing 1993: V14; Brusati 1995: D20; Blanc 2008: P68.
  86. Family portrait of Cornelis Terwe and his wife Segrina Lodewijksdr, accompanied by their children, Lodewijk, Jannetje, and Elisabeth
    Support and dimensions unknown, dated 1661
    Not to be confused with another portrait of Cornelis Terwe, his wife Segrina Lodewijksdr, and their son Lodewijk.
    Mentioned in the RKD's IB documentation, no. 107259.
    Roscam Abbing 1993: 45; Brusati 1995: D18; Blanc 2008: P77.
  87. Portrait of Maximilian von Trautmannsdorff
    Canvas. 108 x 82 cm, signed and dated 1651
    Private collection, Opocno (Czech Republic).
    According to Blanc 2008, the painting was mentioned in Czechoslovakia around 1962, with a note identifying the sitter’s city of origin.
    Blanc 2008: P55.
  88. Portrait of Admiral Tromp
    Canvas, 90 x 71 cm
    A. Bredius; sale Amsterdam, 29 July 1890 (Lugt 49316), no. 50 (‘Portret van Admiraal Tromp. Doek Hoog 90, Breed 71 cent.), fl. 150.-, to Bredius.
    Mentioned in the RKD's Hofstede de Groot index cards.
  89. Portrait of Jacob Lodewijcxs Verbeeck
    Support and dimensions unknown
    Will of Sebilla Vorstius, wife of Jacob Lodewijcxs Verbeeck, Leiden (13 December 1650) lists ‘De twee conterfeijtsels van haer en haer comp[aran]tens man gemaect door Hoochstraete’.
    Mentioned in the RKD's IB documentation, no. 8347.
    Roscam Abbing 1993: V3; Brusati 1995: D9; Blanc 2008: P81/1.
  90. Portrait of Sebilla Vorstius
    Support and dimensions unknown
    Will of Sebilla Vorstius, wife of Jacob Lodewijcxs Verbeeck, Leiden (13 December 1650) lists ‘De twee conterfeijtsels van haer en haer comp[aran]tens man gemaect door Hoochstraete’.
    Roscam Abbing 1993: V3; Brusati 1995: D8; Blanc 2008: P81/2.
  91. Portrait of Hermannus Willink
    Support and dimensions unknown
    Estate inventory of Abigael van Braeckel, widow of the late Hendrick van Wege and the late Ghijsbrecht van Hogenhouck, Delft (1675) lists ‘Het conterf[eitsel] van Hermannus Willink’. The original document is lost but cited in Veth 1889, p. 147.
    Mentioned in the RKD's IB documentation, no. 9120.
    Roscam Abbing 1993: V20; Brusati 1995: D14; Blanc 2008: P86/2.
  92. Large painting (subject unidentified)
    Support and dimensions unknown
    Estate inventory of Maeycken Jans van Oldenzeel, widow of Frans Cornelisz Mol, sexton of the Grote Kerk in Dordrecht, Dordrecht (13 December 1698) lists ‘Int voorhuijs: Een groot schilderye bij Hoogchstraten gedaen’.
    Roscam Abbing 1993: V34; Brusati 1995: D58; Blanc 2008: P191.
  93. Piece by van Hoochstraten (unidentified subject)
    Support and dimensions unknown
    Estate of Cornelis de Putter, wine merchant, The Hague ( October 1668) lists ‘Een stuk van Hoochstraten treckgelt 3-3-0 bij den adt. Vanden Broeck getrocken op 180 £ opgehouden op 200 £’.
    Roscam Abbing 1993: V11; Brusati 1995: D56; Blanc 2008: P189.
  94. Painting by von Hachstratten (unidentified subject)
    Support and dimensions unknown
    According to Roscam Abbing 1993, pp. 47, 90, the treasury account books of the Imperial Court Archive, Vienna (20 July 1654) mention ‘Den 20 dito Samueln von Hachstratten wegen aines für ihrer khay. mt. dargebnen bilts ... 150 fl’.
    Roscam Abbing 1993: V6; Brusati 1995: D55; Blanc 2008: P188.
  95. Painting (unidentified subject)
    Support and dimensions unknown
    Estate inventory of Geertruyt Absouw, wife of Pieter van der Werff, Dordrecht (24 April 1675), lists ‘Een van Hoochstraten 8-0-0’.
    Roscam Abbing 1993: V21; Brusati 1995: D57; Blanc 2008: P190.