RKD STUDIES

Samuel van Hoogstraten (1627-1678): Catalogue Raisonné

• Foreword
• Editor's note

Samuel van Hoogstraten, ‘the Ingenious and Poetic Painter’

• The Early Years in Dordrecht
• With Rembrandt in Amsterdam
• Back in Dordrecht
• Triumph in Vienna
• Return to Dordrecht
• Great Britain
• The Hague
• Final Years in Dordrecht

Samuel van Hoogstraten’s Drawings: History, Life, Universality

• Method: Working from a Core Group
• The Core Group, 1646: Balaam
• Beyond the Core Group: Attributed Early Compositional Drawings
• The Core Group: From Pictorial Technique to Innovative Contour
• Distinguishing the Sketches: Before and After 1649
• A New and Individual Approach to Contour: 1653, 1658 and Beyond
• Conclusion

Samuel van Hoogstraten: Painting the Visible World

• First training
• Rembrandt’s Impact
• Dordrecht 1648-1651
• Germany, Austria, Italy: Launching a Career Based on Rembrandt
• The Second Dordrecht Period: 1656-1661
• A New Theme: The Interior
• A New Adventure: London
• Society Portraitist in The Hague
• The Elegant Interior, This Time in Earnest
• The Late Biblical Paintings
• The Significance of History Painting, and Drawing, for Van Hoogstraten
• Conclusion

Samuel van Hoogstraten and Printmaking

• Van Hoogstraten's Earliest Prints
• Van Hoogstraten and Johan van Beverwijck
• Van Hoogstraten and Printmaking in Rembrandt's Workshop
• Biblical Images
• Van Hoogstraten Illustrating His Own Books
• Van Hoogstraten's Thoughts About Printmaking
• Portraits in print
• Van Hoogstraten as a Teacher of Printmaking
• Etching the Muses

Reference list

• Prints
• Drawings
• Paintings

Credits

Acknowledgements